{"id":5910,"date":"2023-07-11T15:31:28","date_gmt":"2023-07-11T15:31:28","guid":{"rendered":"https:\/\/hugomolina.ar\/thelider\/?p=5910"},"modified":"2023-07-11T15:32:24","modified_gmt":"2023-07-11T15:32:24","slug":"voodoo-lounge-piedra-angular-de-la-adultez-de-the-rolling-stones","status":"publish","type":"post","link":"https:\/\/hugomolina.ar\/thelider\/?p=5910","title":{"rendered":"Voodoo Lounge: piedra angular de la adultez de The Rolling Stones"},"content":{"rendered":"<div class=\"td-post-header td-pb-padding-side\">\n<header>\n<h6 class=\"entry-title\">Voodoo Lounge: piedra angular de la adultez de The Rolling Stones<\/h6>\n<div class=\"meta-info\"><\/div>\n<\/header>\n<\/div>\n<div class=\"td-post-content td-pb-padding-side\">\n<div class=\"td-post-featured-image\"><a class=\"td-modal-image\" href=\"https:\/\/revistaladosis.com\/wp-content\/uploads\/2019\/07\/Voodoo-Lounge.jpg\" data-caption=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"entry-thumb\" title=\"Voodoo Lounge\" src=\"https:\/\/revistaladosis.com\/wp-content\/uploads\/2019\/07\/Voodoo-Lounge.jpg\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" srcset=\"https:\/\/revistaladosis.com\/wp-content\/uploads\/2019\/07\/Voodoo-Lounge.jpg 600w, https:\/\/revistaladosis.com\/wp-content\/uploads\/2019\/07\/Voodoo-Lounge-150x150.jpg 150w, https:\/\/revistaladosis.com\/wp-content\/uploads\/2019\/07\/Voodoo-Lounge-300x300.jpg 300w, https:\/\/revistaladosis.com\/wp-content\/uploads\/2019\/07\/Voodoo-Lounge-422x420.jpg 422w\" alt=\"Voodoo Lounge\" width=\"600\" height=\"597\" \/><\/a><\/div>\n<div class=\"td-g-rec td-g-rec-id-content_top td_uid_3_64ad3fee96ec8_rand td_block_template_1\">\n<p><em>El 11 de julio de 1994 fue publicado el vig\u00e9simo \u00e1lbum de estudio de la longeva banda londinense, tras cinco a\u00f1os de silencio por los proyectos individuales<\/em><\/p>\n<\/div>\n<h2><strong>The Rolling Stones<\/strong><br \/>\n<strong>Voodoo Lounge<\/strong><\/h2>\n<p><strong>Virgin. 1994. Inglaterra<\/strong><\/p>\n<p>La publicaci\u00f3n del vig\u00e9simo \u00e1lbum de estudio de los Stones (#22 en el mercado norteamericano) vino precedido por un periodo en el que cada miembro lanz\u00f3 material solista, convirti\u00e9ndose en el silencio discogr\u00e1fico m\u00e1s extenso de su prol\u00edfica carrera.<\/p>\n<div class=\"td-g-rec td-g-rec-id-content_inline td_uid_2_64ad3fee96bd8_rand td_block_template_1\">\n<p>&nbsp;<\/p>\n<div id=\"aswift_3_host\" tabindex=\"0\" title=\"Advertisement\" aria-label=\"Advertisement\"><\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p>El disco anterior,\u00a0<strong><em>Steel Wheels<\/em><\/strong>\u00a0(1989) hab\u00eda significado el regreso a los escenarios, tras siete a\u00f1os de inexplicable ausencia producto de cierta tensi\u00f3n interna. Ni\u00a0<strong><em>Undercover\u00a0<\/em><\/strong>(1984) ni\u00a0<strong><em>Dirty Works<\/em><\/strong>\u00a0(1986) contaron con giras de apoyo.<\/p>\n<p>El tour que sucedi\u00f3 a\u00a0<strong><em>Steel Wheels<\/em><\/strong>\u00a0-el m\u00e1s grande hasta entonces- arroj\u00f3 el documento en directo\u00a0<strong><em>Flashpoint<\/em><\/strong>\u00a0(1991) y signific\u00f3 el final para el bajista\u00a0<strong>Bill Wyman<\/strong>, quien ten\u00eda cierto tiempo meditando su salida del grupo.<\/p>\n<p><strong>Keith Richards<\/strong>,\u00a0<strong>Mick Jagger<\/strong>,\u00a0<strong>Ronnie Wood<\/strong>\u00a0y\u00a0<strong>Charlie Watts\u00a0<\/strong>decidieron seguir como cuartero, contratando como bajista a\u00a0<strong>Darryl Jones<\/strong>, a sugerencia de Watts, una relaci\u00f3n que ya se extiende por 25 a\u00f1os.<\/p>\n<p>Bajo la producci\u00f3n compartida de\u00a0<strong>Don Was<\/strong>\u00a0y\u00a0<strong>The Glimmer Twins<\/strong>\u00a0(Jagger y Richards), el disco comenz\u00f3 a grabarse con el ingeniero\u00a0<strong>Don Smith<\/strong>\u00a0en septiembre de 1993 en el estudio casero de\u00a0<strong>Ronnie Wood<\/strong>\u00a0y en los famosos Windmill Studios de Dublin, Irlanda, para luego ser mezclado por\u00a0<strong>Bob Clearmountain<\/strong>\u00a0en A&amp;M Studios de Los Angeles y Right Track Recording en Nueva York, proceso que termin\u00f3 en abril de 1994.<\/p>\n<p>Aunque siempre ha sido reconocido como un disco en el que los Stones regresaron a su sonido b\u00e1sico rockero \u2013prescindiendo casi completamente de los coqueteos con el funk, el reggae, el soul y los sonidos ex\u00f3ticos, pero sobre todo del blues- lo cierto es que\u00a0<strong><em>Voodoo Lounge<\/em><\/strong>\u00a0contiene un generoso pu\u00f1ado de 15 excelentes canciones.<\/p>\n<p>En plena era del reinado del formato CD, y luego de cinco a\u00f1os sin nuevo material (el per\u00edodo m\u00e1s extenso hasta ese momento), 62 minutos de m\u00fasica parec\u00eda una decisi\u00f3n l\u00f3gica.<\/p>\n<p>Tres aldabonazos rockeros abren el disco: \u201c<strong>Love is Strong<\/strong>\u201d, \u201c<strong>You Got Me Rocking<\/strong>\u201d y \u201c<strong>Sparks Will Fly<\/strong>\u201d, el primero de los cuales fue escogido como el primer single. \u00a0Representan el sonido Stone en estado puro, con cercan\u00eda los temas fren\u00e9ticos de\u00a0<a href=\"https:\/\/revistaladosis.com\/the-rolling-stones-exile-on-main-street\" target=\"_blank\" rel=\"noopener noreferrer\"><strong><em>Exile on Main Street<\/em><\/strong><\/a>\u00a0(1972) como \u201c<strong>Rocks Off<\/strong>\u201d o \u201c<strong>Respectable<\/strong>\u201d de\u00a0<a href=\"https:\/\/revistaladosis.com\/the-rolling-stones-some-girls\" target=\"_blank\" rel=\"noopener noreferrer\"><strong><em>Some Girls<\/em><\/strong><\/a>\u00a0(1971).<\/p>\n<p><iframe loading=\"lazy\" id=\"_ytid_91889\" class=\"__youtube_prefs__ epyt-is-override no-lazyload\" title=\"The Rolling Stones - Love Is Strong - OFFICIAL PROMO\" src=\"https:\/\/www.youtube.com\/embed\/Te6VBiRjhqA?enablejsapi=1&amp;rel=0&amp;modestbranding=0&amp;autoplay=0&amp;cc_load_policy=0&amp;cc_lang_pref=&amp;iv_load_policy=1&amp;loop=0&amp;fs=1&amp;playsinline=0&amp;autohide=2&amp;theme=dark&amp;color=red&amp;controls=1&amp;\" width=\"100%\" height=\"480\" allowfullscreen=\"allowfullscreen\" data-origwidth=\"640\" data-origheight=\"480\" data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\" data-gtm-yt-inspected-13=\"true\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" id=\"_ytid_67214\" class=\"__youtube_prefs__ epyt-is-override no-lazyload\" title=\"The Rolling Stones - You Got Me Rocking - OFFICIAL PROMO\" src=\"https:\/\/www.youtube.com\/embed\/84PETdu743A?enablejsapi=1&amp;rel=0&amp;modestbranding=0&amp;autoplay=0&amp;cc_load_policy=0&amp;cc_lang_pref=&amp;iv_load_policy=1&amp;loop=0&amp;fs=1&amp;playsinline=0&amp;autohide=2&amp;theme=dark&amp;color=red&amp;controls=1&amp;\" width=\"100%\" height=\"480\" allowfullscreen=\"allowfullscreen\" data-origwidth=\"640\" data-origheight=\"480\" data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\" data-gtm-yt-inspected-13=\"true\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" id=\"_ytid_30559\" class=\"__youtube_prefs__ epyt-is-override no-lazyload\" title=\"Sparks Will Fly (Remastered)\" src=\"https:\/\/www.youtube.com\/embed\/P99ybM_LOfc?enablejsapi=1&amp;rel=0&amp;modestbranding=0&amp;autoplay=0&amp;cc_load_policy=0&amp;cc_lang_pref=&amp;iv_load_policy=1&amp;loop=0&amp;fs=1&amp;playsinline=0&amp;autohide=2&amp;theme=dark&amp;color=red&amp;controls=1&amp;\" width=\"100%\" height=\"480\" allowfullscreen=\"allowfullscreen\" data-origwidth=\"640\" data-origheight=\"480\" data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\" data-gtm-yt-inspected-13=\"true\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>El aroma a balada country surge con \u201c<strong>The Worst<\/strong>\u201d, cantada por Richards, con la estupenda \u201cpedal steel\u201d guitarra tocada por Wood y el fiddle (viol\u00edn irland\u00e9s) por\u00a0<strong>Frankie Gavin<\/strong>.<\/p>\n<p>La maravillosa \u201c<strong>New Faces<\/strong>\u201d, con el clavec\u00edn tocado por\u00a0<strong>Chuck Leavell<\/strong>\u00a0y las guitarras ac\u00fasticas sonando como un dulcimer, es lo m\u00e1s cercano a los tiempos de \u201c<strong>Lady Jane<\/strong>\u201d, \u201c<strong>Playing with Fire<\/strong>\u201d y \u201c<strong>I\u2019 Waiting<\/strong>\u201d, un homenaje a los aportes de\u00a0<strong>Brian Jones<\/strong>.<\/p>\n<p><iframe loading=\"lazy\" id=\"_ytid_13783\" class=\"__youtube_prefs__ epyt-is-override no-lazyload\" title=\"The Worst (Remastered)\" src=\"https:\/\/www.youtube.com\/embed\/irJtwtFjju0?enablejsapi=1&amp;rel=0&amp;modestbranding=0&amp;autoplay=0&amp;cc_load_policy=0&amp;cc_lang_pref=&amp;iv_load_policy=1&amp;loop=0&amp;fs=1&amp;playsinline=0&amp;autohide=2&amp;theme=dark&amp;color=red&amp;controls=1&amp;\" width=\"100%\" height=\"480\" allowfullscreen=\"allowfullscreen\" data-origwidth=\"640\" data-origheight=\"480\" data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\" data-gtm-yt-inspected-13=\"true\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" id=\"_ytid_61285\" class=\"__youtube_prefs__ epyt-is-override no-lazyload\" title=\"New Faces (Remastered)\" src=\"https:\/\/www.youtube.com\/embed\/7CQrciAJ618?enablejsapi=1&amp;rel=0&amp;modestbranding=0&amp;autoplay=0&amp;cc_load_policy=0&amp;cc_lang_pref=&amp;iv_load_policy=1&amp;loop=0&amp;fs=1&amp;playsinline=0&amp;autohide=2&amp;theme=dark&amp;color=red&amp;controls=1&amp;\" width=\"100%\" height=\"480\" allowfullscreen=\"allowfullscreen\" data-origwidth=\"640\" data-origheight=\"480\" data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\" data-gtm-yt-inspected-13=\"true\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<div id=\"aswift_5_host\" tabindex=\"0\" title=\"Advertisement\" aria-label=\"Advertisement\"><\/div>\n<p>Muy diferente es \u201c<strong>Moon is Up<\/strong>\u201d, uno de los temas m\u00e1s pop de los Stones, con una melod\u00eda algo nost\u00e1lgica, que sirve de puente con la balada rom\u00e1ntica \u201c<strong>Out of Tears<\/strong>\u201d, dominada por el piano de Leavell y el \u00f3rgano de\u00a0<strong>Bemmont Tench<\/strong>\u00a0(de Tom Petty &amp; The Heartbrekers) y la sentida interpretaci\u00f3n de Jagger en l\u00ednea directa con \u201c<strong>Angie<\/strong>\u201d.<\/p>\n<p><iframe loading=\"lazy\" id=\"_ytid_51279\" class=\"__youtube_prefs__ epyt-is-override no-lazyload\" title=\"YouTube player\" src=\"https:\/\/www.youtube.com\/embed\/otTKA6FioPI?enablejsapi=1&amp;rel=0&amp;modestbranding=0&amp;autoplay=0&amp;cc_load_policy=0&amp;cc_lang_pref=&amp;iv_load_policy=1&amp;loop=0&amp;fs=1&amp;playsinline=0&amp;autohide=2&amp;theme=dark&amp;color=red&amp;controls=1&amp;\" width=\"100%\" height=\"480\" allowfullscreen=\"allowfullscreen\" data-origwidth=\"640\" data-origheight=\"480\" data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\" data-gtm-yt-inspected-13=\"true\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" id=\"_ytid_25835\" class=\"__youtube_prefs__ epyt-is-override no-lazyload\" title=\"YouTube player\" src=\"https:\/\/www.youtube.com\/embed\/hH_j_GjNKaY?enablejsapi=1&amp;rel=0&amp;modestbranding=0&amp;autoplay=0&amp;cc_load_policy=0&amp;cc_lang_pref=&amp;iv_load_policy=1&amp;loop=0&amp;fs=1&amp;playsinline=0&amp;autohide=2&amp;theme=dark&amp;color=red&amp;controls=1&amp;\" width=\"100%\" height=\"480\" allowfullscreen=\"allowfullscreen\" data-origwidth=\"640\" data-origheight=\"480\" data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\" data-gtm-yt-inspected-13=\"true\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>La segunda mitad del CD y a su vez primer tema del tercer lado del doble LP es el magn\u00edfico \u201c<strong>I Go Wild<\/strong>\u201d, uno de esos rock que podr\u00eda haber sido parte de\u00a0<a href=\"https:\/\/revistaladosis.com\/the-rolling-stones-goats-head-soup\" target=\"_blank\" rel=\"noopener noreferrer\"><strong><em>Goats Head Soup<\/em><\/strong><\/a>\u00a0(1973),\u00a0<a href=\"https:\/\/revistaladosis.com\/the-rolling-stones-its-only-rock-and-roll\" target=\"_blank\" rel=\"noopener noreferrer\"><strong><em>It\u2019s Only Rock and Roll<\/em><\/strong>\u00a0<\/a>(1974) o incluso\u00a0<a href=\"https:\/\/revistaladosis.com\/the-rolling-stones-some-girls\" target=\"_blank\" rel=\"noopener noreferrer\"><strong><em>Some Girls<\/em><\/strong><\/a>\u00a0(1978). La sigue el libidinoso boggie blues \u201c<strong>Brand New Car<\/strong>\u201d, con el saxo de David McMurray, la trompeta de Mark Isham y un trabajo fabuloso en las guitarras de Wood y Richards.<\/p>\n<p><iframe loading=\"lazy\" id=\"_ytid_48112\" class=\"__youtube_prefs__ epyt-is-override no-lazyload\" title=\"YouTube player\" src=\"https:\/\/www.youtube.com\/embed\/fd07g2bpJvw?enablejsapi=1&amp;rel=0&amp;modestbranding=0&amp;autoplay=0&amp;cc_load_policy=0&amp;cc_lang_pref=&amp;iv_load_policy=1&amp;loop=0&amp;fs=1&amp;playsinline=0&amp;autohide=2&amp;theme=dark&amp;color=red&amp;controls=1&amp;\" width=\"100%\" height=\"480\" allowfullscreen=\"allowfullscreen\" data-origwidth=\"640\" data-origheight=\"480\" data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\" data-gtm-yt-inspected-13=\"true\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" id=\"_ytid_23684\" class=\"__youtube_prefs__ epyt-is-override no-lazyload\" title=\"YouTube player\" src=\"https:\/\/www.youtube.com\/embed\/M2amhJ5X0Co?enablejsapi=1&amp;rel=0&amp;modestbranding=0&amp;autoplay=0&amp;cc_load_policy=0&amp;cc_lang_pref=&amp;iv_load_policy=1&amp;loop=0&amp;fs=1&amp;playsinline=0&amp;autohide=2&amp;theme=dark&amp;color=red&amp;controls=1&amp;\" width=\"100%\" height=\"480\" allowfullscreen=\"allowfullscreen\" data-origwidth=\"640\" data-origheight=\"480\" data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\" data-gtm-yt-inspected-13=\"true\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p>Y de vuelta al country, \u201c<strong>Sweethearts Together<\/strong>\u201d, es un tema de \u00edntima relaci\u00f3n con los miles de kil\u00f3metros de carreteras estadounidenses recorridos por los Stones desde los a\u00f1os 60 y que se acerca tambi\u00e9n al sonido tex mex gracias al acorde\u00f3n de\u00a0<strong>Flaco Jim\u00e9nez<\/strong>.<\/p>\n<p>El \u00fanico tema con un groove funky es \u201c<strong>Suck on the Jugular<\/strong>\u201d, recordando a los tiempos de\u00a0<strong><em>Black and Blue<\/em><\/strong>\u00a0(1976) Sobre este groove, Jagger se quej\u00f3 tiempo despu\u00e9s que Don Was les rechaz\u00f3 muchos de ellos, a lo que este ripost\u00f3 aduciendo que solo eran eso y no llegaban a canciones. A decir verdad, este es un tema sumamente pegadizo, con gran secci\u00f3n r\u00edtmica de Watts y Jones y una soberbia arm\u00f3nica tocada por Jagger.<\/p>\n<p><iframe loading=\"lazy\" id=\"_ytid_15292\" class=\"__youtube_prefs__ epyt-is-override no-lazyload\" title=\"YouTube player\" src=\"https:\/\/www.youtube.com\/embed\/NI5wYcpHeUE?enablejsapi=1&amp;rel=0&amp;modestbranding=0&amp;autoplay=0&amp;cc_load_policy=0&amp;cc_lang_pref=&amp;iv_load_policy=1&amp;loop=0&amp;fs=1&amp;playsinline=0&amp;autohide=2&amp;theme=dark&amp;color=red&amp;controls=1&amp;\" width=\"100%\" height=\"480\" allowfullscreen=\"allowfullscreen\" data-origwidth=\"640\" data-origheight=\"480\" data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\" data-gtm-yt-inspected-13=\"true\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" id=\"_ytid_35201\" class=\"__youtube_prefs__ epyt-is-override no-lazyload\" title=\"YouTube player\" src=\"https:\/\/www.youtube.com\/embed\/3hP4ikfrwmw?enablejsapi=1&amp;rel=0&amp;modestbranding=0&amp;autoplay=0&amp;cc_load_policy=0&amp;cc_lang_pref=&amp;iv_load_policy=1&amp;loop=0&amp;fs=1&amp;playsinline=0&amp;autohide=2&amp;theme=dark&amp;color=red&amp;controls=1&amp;\" width=\"100%\" height=\"480\" allowfullscreen=\"allowfullscreen\" data-origwidth=\"640\" data-origheight=\"480\" data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\" data-gtm-yt-inspected-13=\"true\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<div id=\"aswift_6_host\" tabindex=\"0\" title=\"Advertisement\" aria-label=\"Advertisement\"><\/div>\n<p>Otro de los temas con esp\u00edritu country folk es \u201c<strong>Blinded by Rainbows<\/strong>\u201d, y a pesar del excelente coro con el sello Jagger-Richards, es quiz\u00e1 el tema m\u00e1s convencional. Vuelve el rock a media velocidad con \u201c<strong>Baby Break it Down<\/strong>\u201d, de nuevo con el pedal steel de Wood y los coros de\u00a0<strong>Ivan Neville<\/strong>\u00a0y\u00a0<strong>Bernard Fowler<\/strong>. Un southern rock absoluto.<\/p>\n<p><iframe loading=\"lazy\" id=\"_ytid_72627\" class=\"__youtube_prefs__ epyt-is-override no-lazyload\" title=\"YouTube player\" src=\"https:\/\/www.youtube.com\/embed\/u5WhqNemnq0?enablejsapi=1&amp;rel=0&amp;modestbranding=0&amp;autoplay=0&amp;cc_load_policy=0&amp;cc_lang_pref=&amp;iv_load_policy=1&amp;loop=0&amp;fs=1&amp;playsinline=0&amp;autohide=2&amp;theme=dark&amp;color=red&amp;controls=1&amp;\" width=\"100%\" height=\"480\" allowfullscreen=\"allowfullscreen\" data-origwidth=\"640\" data-origheight=\"480\" data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\" data-gtm-yt-inspected-13=\"true\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Voodoo Lounge: piedra angular de la adultez de The Rolling Stones El 11 de julio de 1994 fue publicado el vig\u00e9simo \u00e1lbum de estudio de la<span class=\"excerpt-hellip\"> [\u2026]<\/span><\/p>\n","protected":false},"author":2,"featured_media":5911,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,3],"tags":[],"class_list":["post-5910","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-destacado","category-slider"],"_links":{"self":[{"href":"https:\/\/hugomolina.ar\/thelider\/index.php?rest_route=\/wp\/v2\/posts\/5910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hugomolina.ar\/thelider\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hugomolina.ar\/thelider\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hugomolina.ar\/thelider\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hugomolina.ar\/thelider\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5910"}],"version-history":[{"count":2,"href":"https:\/\/hugomolina.ar\/thelider\/index.php?rest_route=\/wp\/v2\/posts\/5910\/revisions"}],"predecessor-version":[{"id":5913,"href":"https:\/\/hugomolina.ar\/thelider\/index.php?rest_route=\/wp\/v2\/posts\/5910\/revisions\/5913"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hugomolina.ar\/thelider\/index.php?rest_route=\/wp\/v2\/media\/5911"}],"wp:attachment":[{"href":"https:\/\/hugomolina.ar\/thelider\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5910"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hugomolina.ar\/thelider\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5910"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hugomolina.ar\/thelider\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}